Kick-off the new year with DJ Bad Tha Problem and Certified Hitz Music Group for their newest mixtape ‘Turn Up Music’ [EDM Edition] Volume 13′ out now on streaming platforms. DJ Bad Tha Problem hits hard with invigorating blends of EDM and Hip Hop, sure to have listeners pressing repeat with the volume all the way up. Connect with DJ Bad Tha Problem and check out the full interview below.
MJ: Before we jump into your new mixtape “Turn Up Music [EDM Edition] Vol. 13”, tell us what it’s like being a DJ in one of the hottest cities in the country? I know there’s nothing like home base, but do you have other favorite hot spots you DJ at?
DJ Bad Tha Problem: Being a DJ in Florida is a lot of fun compared to being a DJ in my home state NJ. I have had offers to DJ at a few clubs around my city but turned those down to focus on making mixtapes, working with my two artists, building brands and networking, etc.
MJ: “Turn Up Music [EDM Edition] Vol. 13”, what can listeners and fans expect from this mixtape? This is volume 13, shed some light on how you keep fans coming back for more.
DJ Bad Tha Problem: Fans and listeners can expect a lot of certified hitz from “Turn Up Music [EDM Edition] Vol. 13”. It is not just your typical EDM tape. If you’re a fan of EDM and Hip Hop, you’ll be getting the best of both worlds, not just on this volume but in the whole “Turn Up Music [EDM Edition]” mixtape series. This mixtape series has by far been the most successful series I’ve ever put together. I have been overwhelmed by the numbers and the support behind this mixtape series. Shout out to all the people who have listened and downloaded any of the previous volumes and shout out to the bootleggers too. I am currently working on the next volume which I should be releasing sometime in 2022 probably in late January or early February.
MJ: Your next show is on January 8th at Karma Sutra Lounge in NYC, please share all that 411!
DJ Bad Tha Problem: January 8th is going to be a spectacular certified event. Me and my artist City The Great will be holding a mixtape/album release party not just for our project “Respectfully Yours”, but for my artist debut album “The Wordsmith” under the legendary Special Ed’s label SEMedia. The event will be held at the Karma Sutra Lounge in NYC, from 7 pm to 2 am. Expect live performances from City The Great and the artists under Certified Nation Ent, great food and drinks, and nothing but good music. DJ Buena Vida and I will be on the 1’s and 2’s. We will be having some surprise celebrity guests at the event. I cannot disclose who will be in attendance, however, If you want to find out you will have to be there for yourself…free entry! I mean who doesn’t like free stuff, am I right? Plus, we will be celebrating my artist’s birthday.
MJ: You don’t only wear the hat as DJ and CEO, but you’re also a producer and A&R. It’s not uncommon for us to play various roles in the music industry, do you favor one role more than the other? Does one present more challenges than the others?
DJ Bad Tha Problem: I personally don’t favor one role over the other. I enjoy all the roles I play equally. The only role that presents more of a challenge for me is being a producer. The challenge that I have is sitting down and taking time to make my own music from scratch. I have dabbled with making beats for a while now, even gotten my first placement with an indie artist I was working with at the time but haven’t really taken it seriously. I plan on changing that next year. I’ve helped produce other artist’s projects in the past even helped produce some of the tracks on City The Great’s upcoming mixtape “Respectfully Yours”. And no, I’m not talking about strictly just making beats. There is a big difference between being a beatmaker and a producer. However, I am not just a DJ, CEO, Producer, and A&R. I do pretty much everything by myself and have been for a very long time. From videos, audio engineering, promoting, building websites, etc., I used to do graphics too but not anymore. I have a main graphic designer now. Shout out to MefDesigns. Doing everything by myself can be challenging, tiring, and sometimes stressful but I love music. I don’t have the time to wait on anyone.
MJ: Is there anything else you would like to share with the world?
DJ Bad Tha Problem: Expect a lot more mixtape projects from me next year and be on the lookout for City The Great’s mixtape titled “Respectfully Yours” hosted by yours truly, dropping January 8th on all streaming platforms…Turn Up Music [EDM Edition] Vol. 14 is coming real soon as well as Love & R&B Vol. 27. I have a new mixtape series in the works, I am still working out all the details, and I will be bringing back the mixtape series “Definition Of A Hustler” featuring a lot of dope independent artists, so stay tuned and be on the lookout for that!
Connect with DJ Bad Tha Problem
Official Website: https://www.officialdjbadthaproblem.com/
‘Black Panther: Wakanda Forever’ Commands Huge $180M U.S. Opening, $330M Globally
The Marvel Studios sequel hunted down the biggest November launch of all time at the domestic box office. Elsewhere, Steven Spielberg’s Oscar contender ‘The Fabelmans’ opened to strong numbers in New York and Los Angeles.
The superhero sequel opened to a huge $180 million at the domestic box office to hunt down the biggest November opening of all time and the second-biggest launch of 2022 so far behind fellow Marvel Studios’ pic Doctor Strange in the Multiverse of Madness ($187.4 million). And it easily wrested the weekend crown from DC superhero pic Black Adam, now in its fourth weekend.
Overseas, the Marvel and Disney tentpole debuted to $150 million for a global start of $330 million (that’s as much as DC’s Black Adam earned in its first three weeks). Europe was strong overall, led by the U.K. ($15 million) and followed by France ($13.7 million). Among all markets, Mexico placed third with $12.8 million, followed by South Korea ($8.9 million) and Brazil ($7.1 million). Wakanda Forever also opened scored the highest opening in history In Nigeria, where the film’s African premiere was held.
While Wakanda Forever didn’t match the $202 million domestic debut of Coogler’s Black Panther in 2018, it is still doing formidable business and ranks No. 13 on the all-time list of domestic launches (releases from Disney and Marvel now account for all but one of the 13), according to Comscore. The sequel’s arrival on the marquee couldn’t have been more welcome after a tough fall for theater owners.
Heading into the weekend, Wakanda Forever was tracking to debut in the $175 million range. Until now, the biggest November opening belonged to The Hunger Games: Catching Fire ($158 million).
Black Panther 2, playing in 4,396 theaters domestically, earned $84 million on Friday alone, one of the biggest opening days of all time and all but tying with fellow Marvel Studios title Avengers: Age of Ultron for No. 9 on the list, not adjusted for inflation. Friday’s haul included $28 million in Thursday evening previews. (Friday was Veteran’s Day.)
Coogler’s film received an A CinemaScore from audiences and strong exits on PostTrak. One difference: the first Black Panther earned a coveted A+. It played to an ethnically diverse audience, led by Black moviegoers (34 percent) and followed by Caucasians (31 percent), Latinos (21 percent) and Asian/Other (14 percent), according to PostTrak. It also played more evenly gender-wise than most superhero films, with females making up 45 percent of the audience.
In 2018, Black Panther was the first Hollywood studio tentpole to feature a predominantly Black cast and transformed into a cultural phenomenon on its way to earning more than $1.34 billion at the worldwide box office.
The sequel endured tragedy when Chadwick Boseman, who played the titular role of T’Challa/Black Panther in the 2018 film, died of colon cancer in August 2020. Wakanda Forever’s cast includes Angela Bassett, Lupita Nyong’o, Letitia Wright, Winston Duke, Danai Gurira, Florence Kasumba and Martin Freeman, as well as Marvel newcomer Tenoch Huerta as Namor and Dominique Thorne as the hero Riri Williams.
Wakanda Forever opened less than 11 percent behind the 2018 film.
“It’s an outstanding result. The first film represented such a major cultural milestone that its performance would have been challenging to follow even under normal circumstances,” says box office analyst Shawn Robbins. “This performance from a sequel almost five years later speaks to the trust audiences have in Ryan Coogler, Marvel and the entire creative team to continue the story in a respectful way after Chadwick Boseman’s tragic passing. It’s an opportunity for everyone to say goodbye to him together as the franchise moves forward with his legacy at the heart of it.”
Among superhero movies released in the pandemic era, Sony and Marvel’s Spider-Man: No Way Home opened to $260.1 million in December 2021. Doctor Strange in the Multiverse of Madness followed in May with $187.4 million, while Thor: Love and Thunder scored $144.2 million in July. In March 2022, DC and Warner Bros.’ The Batman flew to $134 million in its launch. More recently, DC’s Black Adam, starring Dwayne Johnson in his first live-action superhero role, opened to a more subdued $67 million domestically.
This weekend’s other high-profile opening is Steven Spielberg’s semi-autobiographical tale and Oscar contender The Fabelmans, which is getting a slow platform release, much as a specialty film does, in order to build word of mouth.
The Universal and Amblin Entertainment movie, opening in four theaters in New York and Los Angeles, scored a strong location average of $40,000, one of the best of the year behind Everything Everywhere All at Once and The Banshees of Inisherin. Fabelmans received an A CinemaScore and boasts a 95 percent critics’ score on Rotten Tomatoes.
“With The Fabelmans, Steven Spielberg has crafted one of his most personal stories yet, an incredible universal coming-of-age story that clearly resonated with audiences this weekend,” said Jim Orr, president of domestic theatrical distribution for Universal Pictures.
Back on the top 10 chart, Black Adam — as expected — took a big hit as Black Panther opened. The Dwayne Johnson pic placed second with $8.6 million for a domestic tally of $151.1 million. Overseas, it cleared the $200 million to finish Sunday with a worldwide total of $352.2 million.
Universal’s romantic comedy Ticket to Paradise continued to hold well, falling only 29 percent to $6.1 million for a domestic cume of $56.5 million and $150 million worldwide.
Sony’s family pic Lyle, Lyle, Crocodile fell just 5 percent to $3.2 million for a muted domestic tally of $40.8 million and $75.6 million worldwide.
Paramount’s blockbuster horror entry Smile rounded out the top five in North America with $2.3 million as it hit $210 million worldwide.
Among Oscar contenders, Banshees placed No. 7 with $1.7 million from 960 locations for a domestic total of $5.6 million.
MGM and UAR’s Till, coming in No. 9, saw its domestic total hit $8 million over the weekend.
Ye Unable to Sell ‘White Lives Matter’ Merch Due to Existing Trademark
Owned by Black radio hosts Ramses Ja and Quinton Ward of Civic Cipher.
They said they hoped that “best-case scenario”, the phrase would drop out of use over the coming months, although they feared it had “staying power”.
The trademark was filed on the day West wore a T-shirt at his surprise Paris Fashion Week show with an image of Pope John Paul II on the front and the phrase written on the back. The garment caused several members of the audience to walk out of the show and sparked widespread criticism around the globe. However, the initial purchaser of the trademark, a listener of the pair’s radio show who wishes to remain anonymous, transferred it to Ja and Ward’s company, Civic Cipher LLC, weeks later.
By purchasing the trademark, they hoped to prevent anyone from potentially profiting off the term, which has been categorised as a hate slogan by the Anti-Defamation League. The phrase has been used by white supremacist groups such as the Ku Klux Klan as a response to the Black Lives Matter movement.
The trademark prevents anyone from selling any garments or other items bearing the phrase, meaning West will not be able to release the item shown in Paris.
The incident, and several anti-Semitic comments made by West in interviews in the weeks afterwards, have led to several high-profile brands, including adidas and Balenciaga, cutting ties with the rapper.
Edurk Black Pablo And His Many Industry Hats Are Taking Over
CEO of Awol GCode Promotions Edurk Black Pablo is taking over the scene with his label and as an entrepreneur, rapper, singer, producer, and musician. Based out of Alabama, his label currently has four signed artists and is expanding nationally and internationally.
Pablo’s acclaimed career set off in 1996 as a member of Dayton Family signed to a major deal with Relativity Records. The charting single “F.B.I.” peaked on Billboard 200 at #45. He then went on to collaborate with industry mixers and Hip Hop legends including Master P. ‘Down South Hustlers’ and 36 Mafia’s ‘Chapter II- World Domination’ reigned as 2 Gold albums. Soon after Pablo toured with Insane Clown Posse for a 50-state tour.
“I’ve been to prison, lost everything I had, lost my parents within a week apart, lost my brother, and ongoing life’s struggles forces you to keep pushing on. That’s what I do and intend to continue doing.”
As a solo artist, Pablo released his latest single/video “Tear Me Down” which has been creating a global frenzy. The track featuring T.Rell and Ziggy Zig Zag ranks at #60 on Top Independent Charts and #161 on Top Global Charts. Not giving himself any time to breathe, Pablo is also in the studio with multiplatinum producer Faided Beatz cooking up some new music, set to begin a summer tour with Gucci Mane’s artist Enchanting, and in the works to film The Dayton Family documentary Dope Dayton Ave.” Stay tuned for a heated summer and connect with Edurk Black Pablo below. “Big things are coming. I’m blessed and keep letting God drive the car.”
Connect with Edurk Black Pablo
Facebook: Edurk Black Pablo
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